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1
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Costume at the National Theatre, with introductions by Dr Aoife Monks, Foreword by Rufus Norris (2019)
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Lennox, Patricia;
ISNI: 0000000419368753 New York University;
(Studies in costume & performance,
v.5,
2020,
pp.273-275)
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2
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Review of Shakespeare’s <i>Macbeth</i> (directed by Rufus Norris) at the Olivier Theatre, National Theatre, London, 26 April 2018
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Barnden, Sally;
Queen Mary University of London, London, UK;
(Shakespeare,
v.14,
2018,
pp.424-426)
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3
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“Divided by a Common Language”: The Use of Verbatim in Carol Ann Duffy and Rufus Norris’ My Country; A Work in Progress
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O’Brien, Shauna;
Department of Foreign Languages, Faculty of Education, Palacký
University, 771 47 Olomouc, Czech Republic;
(Humanities,
v.8,
2019,
pp.58)
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4
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Annawadi on the South Bank: Global Neoliberalism and Spatial Contingency in <i>Behind the Beautiful Forevers</i>
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Claycomb, Ryan;
;
(Modern drama,
v.60,
2017,
pp.407-427)
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5
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Between People
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Norris, Rufus;
Bailes, Sara Jane;
;
(PAJ : a journal of performance and art,
v.27,
2005,
pp.62-73)
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6
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Badges of status and the cost of aggression
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Johnstone, Rufus A.;
Norris, Ken;
;
(Behavioral ecology and sociobiology,
v.32,
1993,
pp.127-134)
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7
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Two different roads to new musicals in 2011 London: London Road and Road Show
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WHITFIELD, SARAH;
Universtiy College Falmouth;
(Studies in musical theatre,
v.5,
2012,
pp.305-314)
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8
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인류세 담론으로 본 도덕극의 동시대적 의미 : 영국 국립극장의 Everyman을 중심으로
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김재경;
중앙대학교;
(영어권문화연구,
v.16,
2023,
pp.109-134)
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9
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The Fascination with Crisis and the Crisis of Perception in Contemporary British Drama
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Baumbach, Sibylle;
;
(Journal of Contemporary Drama in English,
v.8,
2020,
pp.47-64)
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10
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History and Stories through Jeremy Deller’s Performances
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PINTO ROBERTO;
;
(AN-ICON. Studies in Environmental Images [ISSN 2785-7433],
v.2,
2023,
)