검색어 : 통합검색[Opera in German]
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81
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Continental Opera Englished, English Opera Continentalized:<i>Der Freischütz</i>in London, 1824
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Fuhrmann, Christina;
;
(Nineteenth-century music review,
v.1,
2004,
pp.115-142)
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82
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SONGS TO SHAPE A GERMAN NATION: HILLER’S COMIC OPERAS AND THE PUBLIC SPHERE
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JOUBERT, ESTELLE;
;
(Eighteenth-century music,
v.3,
2006,
pp.213-230)
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83
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The Legacy of ‘ Ariadne’ and the Melodramatic Sublime
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Glatthorn, Austin;
University of Durham;
(Music & letters,
v.100,
2019,
pp.233-270)
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84
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Opera by the Book : Defining Music Theater in the Third Reich
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Pollock, Emily Richmond;
;
(The Journal of musicology : JM,
v.35,
2018,
pp.295-335)
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85
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A MOZART DUET IN A SARTI OPERA: ‘LÀ CI DAREM LA MANO’ IN UDINE, 1793
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PLATOFF, JOHN;
;
(Eighteenth-century music,
v.14,
2017,
pp.117-122)
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86
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„A work so truly English in its story and its music“. Arthur Sullivans Ivanhoe und die Suche nach einer englischen Nationaloper
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Stollberg, Arne;
1 Musikwissenschaftliches Seminar der Universitä
t Basel Petersgraben 27 CH-4051 Basel Schweiz;
(Studia musicologica,
v.52,
2011,
pp.457-484)
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87
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XIX century in the history of European and Russian opera: points of intersection and differences
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Liu, Yawei;
;
(Filosofii͡a i kul′tura = Philosophy and culture,
v.1,
2021,
pp.54-64)
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88
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Satellite TV programming
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Bass, I.;
;
(Telecommunications policy,
v.6,
1982,
pp.245-247)
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89
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French Identity in Flux: The Triumph of Honegger's <i>Antigone</i>
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Fulcher, Jane F.;
Professor of Music, Indiana University;
(The Journal of interdisciplinary history,
v.36,
2006,
pp.649-674)
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90
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The Final of the Singspiel Doktor and Apotheker by Dittersdorf and the Tradition ofthe Opera Buffa
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Bubeeva Svetlana B.;
Gnesin Russian Academy of Music;
;
(Contemporary Musicology,
v.,
2021,
pp.60-90)