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851
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CINDERELLA: MENDOBRAK CITRA PEREMPUAN DALAM LIRIK LAGU TATA YOUNG
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Syam Essy;
Rosaliza Mita;
;
(Jurnal Ilmu Budaya,
v.16,
2020,
pp.85-97)
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852.
- 석곡 이규준의 시문(詩文)과 일원이기론에 천착한 심성론을 통해서 본 인문학적치유론
- 박연자
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신라대학교 일반대학원, 국내석사,
v,73장., 2023
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853
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«Ich singe, wie der Vogel singt»: Reflections on Nature and Genre in Wolf's Setting of Goethe's Der Sanger
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Glauert, Amanda;
;
(Journal of the Royal Musical Association,
v.125,
2000,
pp.271-286)
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854
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대중가요에 나오는 반의어의 의미 양상
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문금현;
;
(한국어 의미학= Korean semantics,
v.33,
2010,
pp.67-93)
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855
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HOMOSEXUALITY AND SELF-IMPOSED EXILE IN THE SONG OF EVERLASTING SORROW
-
王艾青
, Aiqing Wang;
University of Liverpool;
(Folia linguistica et litteraria : Časopis za nauku o jeziku i književnosti = Journal of language and literary studies,
v.12,
2021,
pp.9-29)
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856
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‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost
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Bolay, Jordan;
ISNI: 0000000419367697 University of Calgary;
(Metal music studies,
v.5,
2019,
pp.5-20)
-
857
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Music video in its contexts: popular music and post-modernism in the 1980s
-
Straw, Will;
;
(Popular music,
v.7,
1988,
pp.247-266)
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858
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李齊賢詞的內容風格及修辭技法
-
李泰衡;
;
(中國語文學論集 = The journal of Chinese language and literature,
v.2008,
2008,
pp.423-445)
-
859
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Invitation or Challenge?
-
Fluck, Alan;
;
(Tempo,
v.38,
1956,
pp.21-23)
-
860
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寤宿齋 宋益欽 언간 서체의 형성과 조형성 고찰
-
정복동;
성균관대학교;
(서예학연구,
v.0,
2013,
pp.135-168)