검색어 : 통합검색[Concertos (Orchestra)]
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51
- TECHNICAL REVIEW OF SELECTED ORCHESTRA SOLOS AND PRACTICING RECOMMENDATIONS FOR BASSOON
- ÜZÜLMEZ Huseyin Onur; HACETTEPE ÜNİVERSİTESİ, DEVLET KONSERVATUVARI; (Pamukkale University Journal of Social Sciences Institute, v., 2022, )
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52
- Symphonic Principles of Development in Chinese Piano Concertos of the 1980s - Early 2000s
- Van, Tszyasin'; Zagidullina, Zalina Zakirovna; ; (Philharmonica : International music journal, v.1, 2023, pp.37-48)
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53
- Vers le style d’exécution « mainstream » des concertos pour piano de Mozart: l’enregistrement Columbia du Concerto en Sol majeur, K. 453, par Ernst von Dohnányi
- Giardina, Adriano; Université de Fribourg - Faculté des lettres et des sciences humaines, Domaine Histoire de l’art, Arché ologie et Musicologie Avenue de l’Europe 20, Bureau 2031, CH-1700 Fribourg, Suisse; (Studia musicologica, v.58, 2017, pp.197-224)
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54.
- 오케스트라 아시아를 위한 '뱃노래' 분석 연구
- 李鎔卓
- 中央大學校 大學院, 국내석사, v, 69 p., 2001
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55
- The First Guitar Concertos of the 20th Century: The Composer and Performer Relationship
- Łukasz Dobrowolski; ; (Edukacja Muzyczna, v.19, 2024, pp.301-318)
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56
- The First Guitar Concertos of the 20th Century: The Composer and Performer Relationship
- Łukasz Dobrowolski; ; (Edukacja Muzyczna, v.19, 2024, pp.319-336)
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57
- Comparative Analysis of The First Movements in Beethoven's and Mozart's C Minor Piano Concertos
- Zhang Zhen; ; (International Journal of Arts, Humanities & Social Science, v.05, 2024, pp.129-141)
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58
- 힌데미트의 <관현악을 위한 협주곡 Op. 38>에서 “협주곡”의 의미
- 김경은; 경북대학교; (음악이론연구, v.36, 2021, pp.39-62)
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59
- 힌데미트의 ⟨관현악을 위한 협주곡 Op. 38⟩에서 “협주곡”의 의미
- 김경은; 경북대학교; (음악이론연구, v.36, 2021, pp.39-62)
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60
- Exploring the connections between narrative and suggestive, or about programmism in violin concertos and orchestras from the 20th century
- Melnic Victoria; Ciobanu Ghenadie; ; (Studiul artelor şi culturologie: istorie, teorie, practică, v., 2024, pp.7-15)
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