-
41
-
“Each Unbearable Day”: Narrative Ruthlessness and Environmental and Reproductive Injustice in Jesmyn Ward’s Salvage the Bones
-
Bares, Annie;
University of Texas at Austin;
(MELUS; Society for the Study of the Multi-Ethnic Literature of the United States,
v.44,
2019,
pp.21-40)
-
42
-
Committed Writing as Common Ground: Jesmyn Ward’s Poetics of Breathing While Black
-
Bieger, L.;
;
(Amerikastudien,
v.66,
2021,
pp.73-79)
-
43
-
Mapping the Lost Home: Psalm 137 and Jesmyn Ward’s Sing, Unburied, Sing
-
Ewing, Rachel;
;
(The Mississippi quarterly,
v.75,
2022,
pp.143-160)
-
44
-
Talking Trash: Jesmyn Ward’s <i>Salvage the Bones</i> and the Timescape of Disaster
-
Hopkinson, Sarah;
;
(Interdisciplinary studies in literature and environment : ISLE,
v.31,
2024,
pp.26-45)
-
45
-
From Disposability to Recycling: William Faulkner and the New Politics of Rewriting in Jesmyn Ward’s Salvage the Bones
-
Moynihan, Siné
ad;
;
(Studies in the novel,
v.47,
2015,
pp.550-567)
-
46
-
We Are Here: Jesmyn Ward’s Black Feminist Poethics of Place in <i>Men We Reaped</i>
-
McCormick, Stacie;
Texas Christian University;
(Auto/biography studies : a/b,
v.38,
2023,
pp.543-558)
-
47
-
Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing
-
Mellis, James;
Guttman Community College, 50 West 40th St., New York, NY 10018, USA;
(Religions,
v.10,
2019,
pp.403)
-
48
-
“And Now She Sings It”: Conjure as Abolitionist Alternative in Jesmyn Ward’s Sing, Unburied, Sing
-
Davis-McElligatt, Joanna;
;
(The Mississippi quarterly,
v.74,
2021,
pp.103-123)
-
49
-
Bearing Witness to the Slave Past: A Review of Jesmyn Ward’s Let Us Descend
-
Khedhir, Yesmina;
;
(Callaloo,
v.41,
2018,
pp.41-44)
-
50
-
The Haunted Black South and the Alternative Oceanic Space: Jesmyn Ward’s Sing, Unburied, Sing
-
Sodam Choi,;
;
(영어영문학 : 한국영어영문학회 = The journal of English language & literature,
v.64,
2018,
pp.433-451)