검색어 : 통합검색[Musical films]
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41
- Comparing the Consumption of Musical and Films Online between Generations X and Y in Portugal and Spain
- Trindade, Graca; Instituto Universitá rio de Lisboa (ISCTE-IUL), BRU-IUL, Av. das Forç as Armadas, Lisboa, Lisboa, 1649-026, Portugal; (Information Systems and Technologies (CISTI), 2019 14th Iberian Conference on, v.2019, 2019, pp.1-6)
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42
- Musical and Verbal Counterpoint in Thirty Two Short Films About Glenn Gould
- Weagel, D.; ; (International conference on word and music studies; Essays on music and the spoken word and on surveying the field, v.2005, 2005, pp.181-196)
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43
- From<i>There's Magic in Music</i>to<i>The Hard-Boiled Canary</i>: Promoting “Good Music” in Prewar Musical Films
- BOMBOLA, GINA; ; (Journal of the Society for American Music, v.12, 2018, pp.151-178)
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44
- A Study on the Acceptance Aspect of Musical Films in Joseon during the Japanese Occupation
- An, Jae Seok; ; (영화연구= Film studies, v.82, 2019, pp.241-276)
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45
- Neo-liberal Transgressions in the Contemporary Film Industry: Classical Music and Dehumanised Musical Bodies in the Films The Perfection (2018) and Nocturne (2020)
- Buljanč ević , Rastko; ; (El oído pensante, v.11, 2023, )
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46
- 나르시시즘 윤리 관점에서 본 나홍진 감독의 삼부작
- 강성한; 부산대학교; (아시아영화연구, v.14, 2021, pp.205-231)
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47
- 일제강점기 조선에서의 뮤지컬 영화 수용 양상 연구
- 안재석; 강원대학교; (영화연구, v.0, 2019, pp.241-276)
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48
- 나르시시즘 윤리 관점에서 본 나홍진 감독의 삼부작
- 강성한; 부산대학교; (아시아영화연구, v.14, 2021, pp.205-231)
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49
- Dancing across European and Latin-American Borders: Pili and Mili’s transnational musical films of the 1960s
- Lomas Martí nez, Santiago; Department of Communication Universidad Carlos III de Madrid, Getafe, Spain; (Transnational screens, v.13, 2022, pp.64-79)
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50
- ON FILMS: WELL, NOT COMPLETELY LOST The musical version of Love's Labour's Lost doesn't swing
- Kauffmann, S.; ; (The new republic, v.4460, 2000, pp.32)
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