검색어 : 통합검색[Keyboard harmony.]
총 180건 중 180건 출력
, 5/18 페이지
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41
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A Slide-Rule for the Study of Music and Musical Acoustics
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Waddington, L. E.;
C. G. Conn, Ltd., Elkhart, Indiana;
(The Journal of the Acoustical Society of America,
v.19,
1947,
pp.727-728)
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42
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Carl Philipp Emanuel Bach through the glasses of Hans von Bülow
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Komló
s, Katalin;
1 Liszt Academy of Music, Budapest H-1391 Budapest Pf. 206 Hungary;
(Studia musicologica,
v.54,
2013,
pp.257-288)
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43
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The Old Clavier or Keyboard Instruments; Their Use by Composers, and Technique
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Hipkins, A. J.;
;
(Proceedings of the Musical Association,
v.12,
1885,
pp.139-148)
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44.
- F. J. Haydn의「Piano Sonata Hob. ⅩⅥ : 50」에 관한 연구
- 이민진
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동덕여자대학교 대학원, 국내석사,
v, 53 p., 2011
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45
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From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics
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Manuel, Peter;
;
(Journal of the American musicological society,
v.55,
2002,
pp.311-336)
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46
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The Helical Keyboard: Perspectives for Spatial Auditory Displays and Visual Music
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Herder, Jens;
Cohen, Michael;
;
(Journal of new music research,
v.31,
2002,
pp.269-281)
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47.
- 바로크시대의 건반악기작품에 대한 고찰 : J.S.Bach의 Italian Concerto BWV.971을 중심으로
- 김지혜
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청주대학교 대학원, 국내석사,
61 p., 2009
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48
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The Ideal Scale: Its Ætiology, Lysis and Sequelæ
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Swinburne, James;
;
(Proceedings of the Musical Association,
v.63,
1936,
pp.39-64)
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49.
- 하이든 《피아노 소나타 Hob. XVI: 48》 분석 연구
- 박상분
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건국대학교 대학원, 국내석사,
52, 2021
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50
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Recontextualizing Brahms's<i>Handel Variations</i>, Op. 24 through Robert Volkmann and Emanuel Moór
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Chang, Joanna;
;
(Nineteenth-century music review,
v.19,
2022,
pp.515-543)