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21
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Capitalizing on Animality: Monstrosity and Multispecies Relations in Jordan Peele’s Nope (2022)
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King, Heather;
Department of English, Rice University, Houston, TX 77005, USA;
(Humanities,
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2024,
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22
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Lost in the funhouse: Allegorical horror and cognitive mapping in Jordan Peele’s Us
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Booker, M. Keith;
Daraiseh, Isra;
ISNI: 0000000122929177 University of Arkansas;
ISNI: 0000000406098846 Arab Open University;
(Horror studies,
v.12,
2021,
pp.119-131)
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23
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Dawn Keetley (ed.), <i>Jordan Peele’s Get Out: Political Horror</i>
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Belly , 1998 Dir. Hype Williams, and: Deep cover , 1992 dir. Bill Duke, and: Us , 2019 Dir. Jordan Peele
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Fernandez, Robert;
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(Callaloo,
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Living in the Sunken Place: Notes on Jordan Peele’s ”Get Out” as Gothic Fiction
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Bastos da Silva, Jorge;
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(Lubelskie materiały neofilologiczne,
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26
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RACISM ASPECT IN GET OUT MOVIE DIRECTED BY JORDAN PEELE
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Istihayyu Buansari;
Maulani Pangestu;
Fariz Rakha Kans;
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(Pujangga,
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2021,
pp.43-43)
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27
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‘What if it’s Not a Ship?’: Reading the Monster Octopus in Jordan Peele’s <i>Nope</i>
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Bride, Amy;
University of Manchester;
(Gothic studies,
v.25,
2023,
pp.137-159)
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28
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CINEMA, NEGRITUDE E DECOLONIALIDADE: ANÁLISE DO FILME DE CORRA! (GET OUT!, 2017), DE JORDAN PEELE
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Cardoso Leandro Andrade;
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(Revista Em Favor de Igualde Racial,
v.6,
2023,
pp.86-101)
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29
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Mirror Mirror on the Wall: The Bible and Ethics in Jordan Peele’s 2019 film Us
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Reinhartz, Adele;
University of Ottawa, Canada;
(Interpretation : a journal of bible and theology,
v.78,
2024,
pp.190-206)
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30
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Live Burial: The Deep Intertextuality of Jordan Peele's Get Out
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Briefel, Aviva;
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