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21
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<i>Women in the American Theatre: Actresses and Audiences, 1790-1870</i>. Faye E. Dudden<i>Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman</i>. Susan A. Manning
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Donkin, Ellen;
;
(Signs,
v.21,
1996,
pp.774-777)
-
22
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Performing Women: Female Characters, Male Playwrights, and the Modern Stage. By Gay Gibson Cima. Ithaca and London: Cornell University Press, 1993; pp. 233. $28.95 cloth.
-
Donkin, Ellen;
;
(Theatre survey,
v.35,
1994,
pp.103-104)
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23
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FIT: Germany's first conference for women in theatre
-
Case, Sue‐
Ellen;
Donkin, Ellen;
;
(Women & performance,
v.2,
1985,
pp.65-73)
-
24
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Book Reviews
-
Witham, Barry;
Krasner, David;
Barlow, Judith;
Chamber, Jonathan;
Chansky, Dorthy;
Jones, Jennifer;
Bennett, Susan;
Harvie, Jennifer;
Houston, Andrew;
Fox, Ann;
;
(Modern drama,
v.43,
2000,
pp.497-522)
-
25
-
Getting into the Act: Women Playwrights in London, 1776-1829
-
Bratton, Jacky;
Donkin, Ellen;
Scullion, Adrienne;
;
(TDR : the drama review,
v.41,
1997,
pp.171)
-
26
-
Upstaging Big Daddy: Directing Theatre as if Gender and Race Matter
-
Phelan, Peggy;
Donkin, Ellen;
Clement, Susan;
;
(TDR : the drama review,
v.38,
1994,
pp.194)
-
27
-
Tragedy Tomorrow, Theory Tonight?
-
Munk, Erika;
Donkin, Ellen;
Clements, Susan;
Goodman, Lizbeth;
;
(The Women's review of books,
v.11,
1993,
pp.12)
-
28
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Reviews: Popular Culture and Performance in the Victorian City, Spectacular Realities: Early Mass Culture in Fin-de-Siècle France, Writing London: The Trace of the Urban Text from Blake to Dickens, the Portable Theater: American Literature and the Nineteenth-Century Stage, Lines of Activity: Performance, Historiography, Hull-House Domesticity, Passing Performances: Queer Readings of Leading Players in American Theater History, Illegitimate Theatre in London, 1770-1840, Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson
-
Pike, David L.;
Erdmann, Harley;
Donkin, Ellen;
Johnson, Stephen;
American University;
University of Massachusetts at Amherst;
Hampshire College;
University of Toronto;
(Nineteenth century theatre and film,
v.29,
2002,
pp.83-103)
-
29
-
Reviews: The Making of the West End Stage: Marriage, Management, and the Mapping of Gender in London, 1830-70, Playing to the Crowd: London Popular Theatre, 1780-1830., Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections, Acts of Manhood: The Performance of Masculinity on the American Stage, Go West, Young Women! The Rise of Early Hollywood, American Showman: Samuel ‘Roxyrsquo; Rothafel and the Birth of the Entertainment Industry, 1908-35
-
Donkin, Ellen;
Barnes, Noreen C.;
Rebhorn, Matthew;
Welsh, Kerrie;
Morey, Anne;
Hampshire College;
Virginia Commonwealth University;
James Madison University;
University of California Santa Cruz;
Texas A & M University;
(Nineteenth century theatre and film,
v.40,
2013,
pp.133-148)
-
30
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Acting like a Woman - Women and Playwriting in Nineteenth-Century Britain. Edited by Tracy C. Davis and Ellen Donkin. Cambridge: Cambridge University Press, 1999. Pp. vii + 295. $59.95 (cloth); $21.95 (paper). - Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth. By Gail Marshall. Cambridge: Cambridge University Press, 1998. Pp. ix + 233. $54.95. - When Romeo Was a Woman: Charlotte Cushman and Her Circle of Female Spectators. By Lisa Merrill. Ann Arbor: University of Michigan Press, 1999. Pp. x + 318. $37.50 (cloth); $19.95 (paper). - Mesmerized: Powers of Mind in Victorian Britain. By Alison Winter. Chicago: University of Chicago Press, 1998. Pp. viii + 464. $30.00 (cloth); $17.00 (paper).
-
Voskuil, Lynn M.;
;
(The Journal of British studies,
v.40,
2001,
pp.606-617)