검색어 : 통합검색[Dance music --Germany]
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21
- Drug Checking: Monitoring the Contents of New Synthetic Drugs
- Schroers, Artur; ; (Journal of drug issues, v.32, 2002, pp.635-646)
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22.
- Mary Wigman의 表現理論에 관한 硏究 : 作品을 中心으로
- 장연향
- 朝鮮大學校 大學院, 국내석사, 31p., 1990
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23.
- 오라토리오『엘리야』 지휘법 연구 : Laban의 움직임 이론을 활용하여
- 최인환
- 수원대학교, 국내박사, , 2025
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24
- Young people's topography of musical functions: Personal, social and cultural experiences with music across genders and six societies
- Boer, Diana; Fischer, Ronald; Tekman, Hasan Gü rkan; Abubakar, Amina; Njenga, Jane; Zenger, Markus; School of Humanities & Social Sciences, Jacobs University Bremen Bremen Germany; Centre for Applied Cross‐ Cultural Research, Victoria University of Wellington Wellington New Zealand; Department of Psychology Yaş ar University İ zmir Turkey; Department of Cross‐ Cultural Psychology Tilburg University Tilburg The Netherlands; Department of Food Science Nutrition, & Technology, University of Nairobi Nairobi Kenya; Department of Medical Psychology and Medical Sociology University of Leipzig Leipzig Germany; (International journal of psychology = Journal international de psychologie, v.47, 2012, pp.355-369)
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25
- Of Germanic eddies in the Black Atlantic: Electronica and (post-)national identity in the music of Freiwillige Selbstkontrolle (FSK) and in Thomas Meinecke's novel Hellblau (2001)
- Hurley, Andrew; University of Technology; (Journal of European popular culture, v.2, 2012, pp.65-79)
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26
- Hot swing and the dissolute life: youth, style and popular music in Europe 1939-49
- Willett, Ralph; ; (Popular music, v.8, 1989, pp.157-163)
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27
- The blindness paradigm: The visibility and invisibility of the body
- Chagas, Paulo; ; (Contemporary music review, v.25, 2006, pp.119-130)
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28.
- D.Buxtehude와 J.S.Bach의 Passacaglia 비교분석
- 권희재
- 가톨릭대학교, 국내석사, 68 p., 2018
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29
- L'histoire sociale de la musique en France: Quelques aspects de base (I)
- Supič ić , Ivo; Supicic, Ivo; ; (International review of the aesthetics and sociology of music, v.19, 1988, pp.229)
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30
- 19세기 독일 정원음악
- 조연숙; 연세대학교; (음악이론포럼, v.24, 2017, pp.9-36)
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