검색어 : 통합검색[Concerti grossi]
-
21.
- 슈니트케(Alfred Schnittke)의 ≪콘체르토 그로소 No. 6≫에 대한 새로운 구조적 접근
- 최소영
-
성신여자대학교 일반대학원, 국내박사,
viii,88, 2024
-
22
-
Neo-Baroque Concertizing in the Works by Russian Composers of the Final Quarter of the 20th Century
-
Ostanina, Maria N.;
Goncharenko, Svetlana S.;
;
(Problemy muzykalʹnoj nauki = Music Scholarship,
v.2,
2024,
pp.25-38)
-
23
-
‘RESONANCE AND DISTANCE’: SIMON BAINBRIDGE IN CONVERSATION
-
Miller, Malcolm;
;
(Tempo,
v.67,
2013,
pp.37-49)
-
24
-
Metrical Displacement and Metrically Dissonant Hemiolas
-
Willner, Channan;
;
(Journal of music theory,
v.57,
2013,
pp.87-118)
-
25
-
Vivaldi and Rome: Observations and Hypotheses
-
Talbot, Michael;
;
(Journal of the Royal Musical Association,
v.113,
1988,
pp.28-46)
-
26
-
”The image” of the violin in the creative work of A. Corelli (on the example of the concerto grosso genre)
-
Grebneva I.;
;
(Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education,
v.49,
2018,
pp.115-127)
-
27
-
”The image” of the violin in the creative work of A. Corelli (on the example of the concerto grosso genre)
-
Grebneva I.;
;
(Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education,
v.49,
2018,
pp.115-127)