검색어 : 통합검색[Miranda Lin-Manuel]
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11
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The Bio-national Symbolism of Founding Biofictions: Barbara Chase-Riboud’s<i>Sally Hemings</i>and Lin-Manuel Miranda’s<i>Hamilton</i>
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Lackey, By Michael;
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(Auto/biography studies : a/b,
v.36,
2021,
pp.25-48)
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12
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Prince Hal and Hamilton: becoming a leader in Shakespeare’s Henriad and Lin-Manuel Miranda’s musical
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Ana Crespo Roca Ana;
Universidad Nacional de Educación a Distancia;
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(Acotaciones. Revista de Investigación y Creación Teatral,
v.1,
2022,
pp.359-386)
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13
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Review Essay: Race-Conscious Casting and the Erasure of the Black Past in Lin-Manuel Miranda’s Hamilton
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Monteiro, Lyra D.;
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(The Public historian,
v.38,
2016,
pp.89-98)
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14
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Lin-Manuel Miranda’s Hamilton: Silenced Women’s Voices and Founding Mothers of Color: A Critical Race Theory Counterstory
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Vollmann, Vanessa;
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(The journal of transnational American studies,
v.15,
2024,
)
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15
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“Who Lives, Who Dies, Who Tells Your Story?”: Founders Chic and Narrative Awareness in Lin-Manuel Miranda’s Hamilton
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Weiher Emma Charlotte;
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(aspeers: emerging voices in american studies,
v.14,
2021,
pp.55-75)
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16
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Resisting Gentrification in Quiara Alegría Hudes and Lin-Manuel Miranda's In the Heights and Ernesto Quiñonez's Bodega Dreams
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Cá
zares, Gabriela;
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(American studies,
v.56,
2017,
pp.89-107)
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17
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THE ARTISTS Tania Bruguera, María Magdalena Campos Pons, Sonita Alizadeh, Banksy, Invisible Borders, Carla Dirlikov Canales, Helly Luv, Lin-Manuel Miranda, Fabrice Monteiro, Njideka Akunyill Crosby, Fiona Hall, Hanya Yanagihara, Suzan-Lori Parks, Ara Oshagan, Levon Parian, Vahagn Thomasian, Gene Luen Yang, Mike Holmes, Adejoke Tugbiyele, Serik Abishev, Adilkhan Yerzhanov
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;
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(Foreign policy,
v.215,
2015,
pp.064-071)
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18
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Miranda’s Les Miz
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Magee, Jeffrey;
University of Illinois;
(Studies in musical theatre,
v.12,
2018,
pp.213-221)
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19
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“Getting freaky with the founders” : Strategically implementing <i>Hamilton: An American Musical</i>
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Hensley, Matthew A.;
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(Social studies research & practice,
v.14,
2019,
pp.28-39)
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20
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Joël Pommerat Stages the French Revolution: <i>Ça ira: Fin de Louis, I</i>
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Biet, Christian;
Miller, Judith;
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(TDR : the drama review,
v.61,
2017,
pp.158-165)