검색어 : 통합검색[Hatt Michael.]
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11
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THE BODY IN QUESTION
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Hatt, Michael;
Birkbeck College, London;
(Art history,
v.14,
1991,
pp.608-613)
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12
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Near and Far: homoeroticism, labour and Hamo Thornycroft’s <i>Mower</i>
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Hatt, Michael;
;
(Art history,
v.26,
2003,
pp.26-55)
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13
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'Making a Man of Him': Masculinity and the Black Body in Mid-Nineteenth-Century American Sculpture
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HATT, MICHAEL;
;
(Oxford art journal,
v.15,
1992,
pp.21-35)
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14
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Transparent forms: tinting, whiteness and John Gibson's <i>Venus</i>
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Hatt, Michael;
hattmichael@gmail.com;
(The sculpture journal,
v.23,
2014,
pp.185-196)
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15
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Counter-Ceremonial: Contemporary Artists and Queen Victoria Monuments
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Hatt, Michael;
University of Warwick History of Art;
(19 : interdisciplinary studies in the long nineteenth century,
v.2022,
2022,
)
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16
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Introduction: Displaying Victorian Sculpture
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Hatt, Michael;
Edwards, Jason;
hattmichael@gmail.com;
jason.edwards@york.ac.uk;
(The sculpture journal,
v.23,
2014,
pp.127-130)
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17
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Thinking through Denmark: Connected Art Histories
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Hatt, Michael;
Thøfner, Margit;
;
(Art history,
v.43,
2020,
pp.240-257)
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18
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Introduction: Victoria’s Self-Fashioning: Curating the Royal Image for Dynasty, Nation, and Empire
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Hatt, Michael;
Marschner, Joanna;
University of Warwick History of Art;
Historic Royal Palaces Curatorial Department;
(19 : interdisciplinary studies in the long nineteenth century,
v.2022,
2022,
)
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19
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Postmodernism: Philosophy and the Arts
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Hatt, Michael;
Silverman, Hugh J.;
;
(The Modern language review,
v.88,
1993,
pp.150)
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20
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Archetype, Architecture, and the Writer
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Hatt, Michael;
Knapp, Bettina L.;
;
(The Modern language review,
v.86,
1991,
pp.150)