-
11
-
Racial Privacy, the L. A. Ensemble Film, and Paul Haggis's Crash
-
Hsu, H. L.;
;
(Film criticism,
v.31,
2006,
pp.132-156)
-
12
-
AT THE (INFANTICIDAL) LIMITS OF FIRST-PERSON CONSCIOUSNESS: Anger, Shame, and the Sacred in Paul Haggis's “Crash”
-
Kimball A. Samuel;
;
(Soundings: An Interdisciplinary Journal,
v.,
2008,
)
-
13
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AT THE (INFANTICIDAL) LIMITS OF FIRST-PERSON CONSCIOUSNESS: Anger, Shame, and the Sacred in Paul Haggis's “Crash”
-
Kimball, A. Samuel;
;
(Soundings,
v.91,
2008,
pp.133-166)
-
14
-
CASUALTIES OF WAR: 2007 saw cinema turn its gaze on the Iraq conflict, with hard-hitting films by Brian De Palma, Nick Broomfield, Paul Haggis and others
-
Jaafar, A.;
;
(Sight and sound,
v.18,
2008,
pp.16-25)
-
15
-
Paul Haggis ``You don't do pictures because the audience is ready for them,'' says the multiple Oscar-winning director and screenwriter of Crash and In the Valley of Elah
-
Beiser, V.;
;
(The Progressive,
v.72,
2008,
pp.31-35)
-
16
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MOVIE/PLAY REVIEWS
-
;
;
(Journal of feminist family therapy,
v.17,
2006,
pp.69-83)
-
17
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SYMPOSIUM SPONSORS AND COMMITTEE MEMBERS
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Scott, A;
Department of Physical Therapy, University of British Columbia, Vancouver, BC Canada;
(British journal of sports medicine,
v.47,
2013,
pp.e2-bd-e2)
-
18
-
CRASH: FILM NOIR IN POST-MODERN LA
-
Katz, Wallace;
Haggis, Paul;
LIONS GATE FILMS;
LIONS GATE FILMS;
(New labor forum,
v.15,
2006,
pp.121-125)
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19
-
Bons voisinages dans Show me a hero
-
Wahnich, Sophie;
;
(Tv series,
v.19,
2021,
)
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20
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<i>Education for All: Purpose and Context</i>. Sheila Haggis<i>Education for All: An Expanded Vision</i>. Paul Fordham<i>Education for All: The Requirements</i>. Douglas M. Windham
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Vago, Steven;
;
(Comparative education review,
v.38,
1994,
pp.413-415)