검색어 : 통합검색[Dancer in the dark]
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- Dancer in the Dark: Hypnosis, Trance-Dancing, and Weimar's Fear of the New Woman
- Hales, Barbara; ; (Monatshefte, v.102, 2010, pp.534-549)
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- >>Everything feels so wrong« - Bermerkungen zu Lars von Triers Film Dancer in the Dark
- Koch, G.; ; (Psyche, v.56, 2002, pp.463-468)
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13
- Representation of Trauma in Balachandra Rajan's The Dark Dancer
- Chhetri Narendra Bahadur; ; (Butwal Campus Journal, v.2, 2020, pp.49-53)
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14
- Dancing in the dark: Sarah Frater follows the complex steps of the dancer/choreographer Akram Khan
- ; ; (New statesman, v.4809, 2006, pp.38-40)
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15
- ‘Only the last song if we let it be’: Dancer in the Dark, The Sound of Music and song and dance as traumatic container
- Joseph, Rachel; Trinity University; (Studies in musical theatre, v.10, 2016, pp.81-92)
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- LARS VON TRIER Guaranteed to polarize audiences and absolutely unmissable, Dancer in the Dark reinvents the musical and gives it a dark, tragic spin
- Smith, G.; ; (Film comment, v.36, 2000, pp.22-27)
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17
- 〈A Dancer in the Dark〉: On the Seven Fantasies and the Second to Last Song
- Kim, Chulkwon; Lim, Jinsoo; ; (영화연구= Film studies, v.92, 2022, pp.35-64)
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18
- ‘What utopia would feel like’: Lars von Trier’s Dancer in the Dark
- Talijan Emilija; ; (Screen, v.58, 2017, pp.332-348)
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19
- Björk on the Gallows: Performance, Persona, and Authenticity in Lars von Trier's Dancer in the Dark
- Rudolph Pascal; ; (IASPM Journal, v., 2020, pp.22-42)
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- The martyr role: From white to black. A study of the female character in Lars von Trier’s film “Dancer in the Dark”
- Hø ydahl, Kari; ; (The Scandinavian psychoanalytic review, v.38, 2015, pp.109-115)
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