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151
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폴리크롬 조각의 논쟁을 통해 살펴본 폴 고갱의 도자 및 목조 조각
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정연심;
Fashion Institute of Technology;
(미술사학보,
v.0,
2008,
pp.261-289)
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152
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L’écorégionalisme et le ‘sauvage’: De la figure du<i>māhū</i>à ‘L’après-midi d’un faune’ de Paul Gauguin
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Viselli, Antonio;
School of Language, Social, and Political Sciences, University of Canterbury, Christchurch, New Zealand;
(Dix-neuf journal of the Society of Dix-Neuviémistes,
v.23,
2019,
pp.265-276)
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153
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Paul Gauguin's Sesquicentennial on Hiva `On, Marquesas - June 7, 1998
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Fischer, S. R.;
;
(Rapa nui journal,
v.12,
1998,
pp.73-74)
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154
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Détail folklorique ou motif primordial de l’imaginaire ? Enquête sur une figure entêtante dans l’œuvre de Paul Gauguin :
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Malmon, Isabelle;
;
(Revue de littérature comparée,
v.367,
2018,
pp.327-341)
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155
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IDOL OF THE ISLANDS: Martin Bailey asks if an extraordinary sculpture acquired by the J. Paul Getty Museum is by Gauguin
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;
;
(Apollo,
v.570,
2009,
pp.40-45)
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156
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Woman with a Fan: Paul Gauguin's Heavenly Vairaumati-a Parable of Immortality
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Hargrove, J.;
;
(The Art bulletin,
v.88,
2006,
pp.552-566)
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157
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“Viajar hacia lo diverso con Paul Gauguin y Flora Tristán”: una experiencia de mediación cultural y circulación artística en el norte peruano (2018-2019)
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Vargas Pacheco Cristina;
Muniglia Naïl;
;
(Illapa Mana Tukukuq,
v.,
2020,
pp.162-175)
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158
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'The Writings of a Savage?' Literary Strategies in Paul Gauguin's <i>Noa Noa</i>
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Goddard, Linda;
;
(Journal of the Warburg and Courtauld Institutes,
v.71,
2008,
pp.277-293)
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159
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Cast in a new light: surface topographies of Paul Gauguin’s transfer drawings
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Broadway, Mary E.;
Stratis, Harriet K.;
Walton, Marc S.;
The Art Institute of Chicago, 111 South Michigan Ave, Chicago, IL 60603, USA;
The Art Institute of Chicago, 111 South Michigan Ave, Chicago, IL 60603, USA;
Robert R. McCormick School of Engineering and Applied Science, Northwestern University, Room L359, Technological Institute, 2145 Sheridan Road, Evanston, IL 60208, USA;
(Journal of the Institute of Conservation,
v.41,
2018,
pp.206-217)
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160
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Paul Gauguin, <i>Letters to Ambroise Vollard and André Fontainas</i> (Edited by John Rewald) : 68 p., 11 ill. (Reproductions of Wood-Cuts by Gauguin, of which four in Color). San Francisco, 1943, the Grabhorn Press. $20.00
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Webster, J. Carson;
Northwestern University;
(College art journal,
v.5,
1945,
pp.64-67)