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141
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‘On this near side of a cut’: Fault Lines as ‘principle of song’ in Denise Riley’s Grief-Writing
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Lecomte, Hé
loï
se;
;
(Études britanniques contemporaines : revue de la Société d'études anglaises contemporaines,
v.64,
2023,
)
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142
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詩歌文學史에서 漢文詩歌의 위상과 의미 - 궁중 악제의 흐름과 관련하여
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박경주;
;
(한국한시연구,
v.0,
2008,
pp.37-64)
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143
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근대기 시인의 현실과 유행가요 창작의 의미
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구인모;
연세대학교;
(한국문학연구,
v.0,
2012,
pp.218-245)
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144
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Writing Lyrics in English to An Indigenous Iban Song-Towards The Efficacy of Culturally Responsive Pedagogy
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Sabuk Bethrace Sylvester;
Abdul Aziz Azlina;
;
(Malaysian Journal of Social Sciences and Humanities (MJSSH),
v.,
2021,
)
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145
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The Politics of Literature and Literacy: Popular Song Writing and Proletarian Poetry in Post-Revolutionary France
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Rowe Steven E.;
;
(Historical Studies in Education / Revue d'histoire de l'éducation,
v.,
2008,
)
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146
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<i>Light, Freedom and Song: A Cultural History of Modern Irish Writing</i>. David Pierce. New Haven, CT, and London: Yale University Press, 2005. Pp. xi+350.
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Brannigan, John;
;
(Modern philology,
v.106,
2008,
pp.350-353)
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147
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Writing about ‘the labores of the Worker’ -Representation of the workers and physicality in the novels of Song Yeong and Lee Buk-myeong
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Choi, Eunhye;
;
(현대소설연구 = The journal of Korean fiction research,
v.96,
2024,
pp.371-399)
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148
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Writing Family Life: A Feminist Inquiry into the Autobiographical Self in Cathy Song's Picture Bride (1983
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Shehata Reda A. Shehata;
;
(Egyptian Journal of English Language and Literature Studies,
v.9,
2018,
pp.363-394)
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149
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근대기 시인의 현실과 유행가요 창작의 의미
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구인모;
연세대학교;
(한국문학연구,
v.0,
2012,
pp.218-245)
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150
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한국 대중가요 작사․작곡을 위한 노랫말의 음운론적 특징 연구: 청자의 노래가사 경계표지 인식을 위주로
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유미란;
동아방송예술대학교;
(인문언어,
v.16,
2014,
pp.105-126)