검색어 : 통합검색[Hockney David]
총 235건 중 235건 출력
, 12/24 페이지
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111
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Great Art Requires More Than Optical Technology Secret Knowledge: Rediscovering the Lost Technique of the Old Masters by David Hockney
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Vereycken, K.;
;
(21st century science & technology,
v.15,
2002,
pp.56-59)
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112
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A Yorkshire genius and his iPhone David Hockney's new inspiration on the Yorkshire coast
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Gayford, M.;
;
(The spectator,
v.9435,
2009,
pp.22-23)
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113.
- 데이비드 호크니의 회화에 나타나는 이동시점(異動視點)에 관한 연구
- 이재은
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충북대학교 교육대학원, 국내석사,
IX,55p., 2013
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114
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The conservation of faxes and colour photocopies, with special reference to David Hockney's `home made prints'
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Norville-Day, H.;
;
(Institute of Paper Conservation: Modern works, modern problems,
v.1994,
1994,
pp.66-72)
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115
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As Life Goes on, Painting Never Stops—The Inner Logic and Vitality of David Hockney’s Artistic Creation
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Xiaoyu Guo;
;
(International Journal of Social Science and Humanity,
v.,
2025,
pp.47-50)
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116
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Between a Rock and a Blue Chair: David Hockney’s <i>Rocky Mountains and Tired Indians</i> (1965)
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Hammer , Martin;
;
(British art studies,
v.5,
2017,
)
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117
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The Impact of Era Features and Characteristics on Landscape Painting-A Critical Study of Joseph Turner and David Hockney
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Hanafy Ihab Mahmoud;
;
(International Journal of Art and Art History,
v.4,
2016,
)
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118
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Mirror Images. Artist David Hockney shocks the art world with his claim that grand masters from van Eyck to Ingres secretly used lenses in their work
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Carrell, J. L.;
;
(Smithsonian,
v.32,
2002,
pp.76-83)
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119
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Philip Steadman, Vermeer’s Camera: The Truth behind the Masterpieces - (Oxford: Oxford University Press, 2001) : David Hockney, Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters - (London: Thames and Hudson, 2001) Reviewed by David A. Vila Domini
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Domini, David A. Vila;
;
(Nexus network journal,
v.4,
2002,
pp.143-147)
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120
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Selective Preparation of Canvas as an ‘Artistic Device’ in David Hockney’s Early Paintings (1964-1972) : Impact of This Hybrid Priming Technique on Perception by the Viewer, with a Particular Focus on Portrait of an Artist (Pool with Two Figures) and Mt. Fuji and Flowers
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De Corte, Hannah;
1 Université
Libre de Bruxelles, Avenue Franklin Roosevelt 50, 1050 Brussels, Belgium;
(Art & perception,
v.8,
2020,
pp.311-336)