검색어 : 통합검색[Key concepts in cinema studies]
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- The 'New Wave' of French phenomenology and cinema: new concepts for the cinematic experience
- Guillemet, Julien; IRCAV, Universite Sorbonne Nouvelle - Paris III, Paris, France; (New review of film and television studies, v.8, 2010, pp.94-114)
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- ‘Feel the film’: Film projectionists and professional memory
- Č esá lková , Lucie; Masaryk University, Czech Republic; (Memory studies, v.10, 2017, pp.49-62)
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- The Issue of Unity of Style in Soviet Cinema in the Late 1920s — Early 1930s (By the Example of Nikolay Iezuitov’s Works) | The Issue of Unity of Style in Soviet Cinema in the Late 1920s — Early 1930s (By the Example of Nikolay Iezuitov’s Works)
- Usuvaliev Sultan I.; Film Sense Online Magazine; (Observatory of Culture, v.17, 2020, pp.26-35)
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- 발터 벤야민의 역사적-변증법적 예술철학에 관한 고찰 - ‘복제가능성’, ‘기술’, ‘개선가능성’, ‘전시가능성’ 개념을 중심으로
- 하선규; 홍익대학교; (칸트연구, v.0, 2021, pp.87-132)
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- Walking in the Forest: Understanding Spaces Through Cartography in the New-Generation Malayalam Cinema
- Kavya E.M.; ; (Literary Studies, v., 2024, pp.44-52)
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- ‘You start to change when I get in. The Babadook growing right under your skin’: Monstrous intermediality in Jennifer Kent’s The Babadook
- Thomsen, Morten Feldtfos; Karlstad University; (Horror studies, v.10, 2019, pp.61-72)
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- Media and audiences in historical and sociological perspective
- Rikitianskaia Maria; Regent’s University London; ; (Vestnik of Saint Petersburg University. Sociology, v.15, 2022, pp.285-298)
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- Analysis of the Audiovisual Work’s Sound Component: Modern Research
- Myslavskyi Volodymyr; ; (Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production, v.7, 2024, pp.166-173)
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- 포스트-시네마 시대의 리얼리즘 재창안에 관한 연구 : 영화(미디어)학의 정치적 재구성을 위하여
- 고민선
- 중앙대학교 첨단영상대학원, 국내석사, ii, 110 p., 2022
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- A kaleidoscopic view: Studying diverse aspects of experimental animation
- Izadian, Pegah; ; (Punctum : International journal of semiotics, v.10, 2024, pp.93-115)
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