Ⅰ. Dawn of The Modern Age : 1876_1910s ... 12
1. The Legendary Painter Jang Seung-eop ... 14
2. Pragmatism ... 21
3. The Legacy of Court Painting ... 22
4. The Last Literati Painters: The Legacy of Kim Jeong-hui ... 36
5. Personal Dialogues with Shanghai Min Yeong-ik, Kim Gyu-jin, Kim Yeong-gi ... 42
6. Popularization and New Technology ... 49
7. Western Visitors ... 54
8. Trade Painting ... 56
9. Dawn of the Modern Age: Summary ... 59
Ⅱ. The Modern Art Era in Korea : 1920s-1940s ... 60
1. The Beginnings of Modern Art Theory ... 61
2. The Institytionalization of Dongyanghwa and the Joseon Fine Arts Exhibition ... 70
3. Studing Abroad ... 76
4. Nationalism: 1930s ... 90
5. Retreat from Reality : 1940s ... 106
Ⅲ. Perpetuation of Nationalism : 1950s-1980s ... 112
1. Decolonization and Indigenization: 1950s ... 113
2. Experimentation with Modernistic Ferms : 1960s ... 118
3. Celebrating the Past : 1970s ... 131
4. Confrontation of Sumuk Abstractionism and Local Clolr: 1980s ... 134
Epilogue ... 138
List of IIIustrations ... 140
Bibliography ... 150
Index ... 152
1. The Legendary Painter Jang Seung-eop ... 14
2. Pragmatism ... 21
3. The Legacy of Court Painting ... 22
4. The Last Literati Painters: The Legacy of Kim Jeong-hui ... 36
5. Personal Dialogues with Shanghai Min Yeong-ik, Kim Gyu-jin, Kim Yeong-gi ... 42
6. Popularization and New Technology ... 49
7. Western Visitors ... 54
8. Trade Painting ... 56
9. Dawn of the Modern Age: Summary ... 59
Ⅱ. The Modern Art Era in Korea : 1920s-1940s ... 60
1. The Beginnings of Modern Art Theory ... 61
2. The Institytionalization of Dongyanghwa and the Joseon Fine Arts Exhibition ... 70
3. Studing Abroad ... 76
4. Nationalism: 1930s ... 90
5. Retreat from Reality : 1940s ... 106
Ⅲ. Perpetuation of Nationalism : 1950s-1980s ... 112
1. Decolonization and Indigenization: 1950s ... 113
2. Experimentation with Modernistic Ferms : 1960s ... 118
3. Celebrating the Past : 1970s ... 131
4. Confrontation of Sumuk Abstractionism and Local Clolr: 1980s ... 134
Epilogue ... 138
List of IIIustrations ... 140
Bibliography ... 150
Index ... 152