List of Contributors
Acknowledgments
1 Constructing the Popular: Cultural Production and Consumption =1
Pt. I What is Popular? =17
2 Making Artistic Popular Music: The Goal of True Folk =19
3 Batman, Deviance, and Camp =24
4 Take Me Out to the Ball Game: The Transformation of Production-Consumption Relations in Professional Team Sport =36
5 Art Appreciation at Caesars Palace =53
Pt. II Cultural Production/Commodification= 65
6 Art as Collective Action= 67
7 Commodity Lesbianism =80
8 Alternative to What?= 94
9 Imagineering the Inner City? Landscapes of Pleasure and the Commodification of Cultural Spectacle in the Postmodern City =106
Pt. III Taste, Reception, and Resistance =121
10 Encoding/Decoding =123
11 (Male) Desire and (Female) Disgust: Reading Hustler =133
12 "Hang Up My Rock and Roll Shoes": The Cultural Production of Rock and Roll =154
13 Site Reading?: Globalization, Identity, and the Consumption of Place in Popular Music =165
14 Diasporic Noise: History, Hip Hop, and the Post-colonial Politics of Sound =180
Pt. IV Authoring Texts/Readers Reading=201
15 The Concept of Formula in the Study of Popular Literature =203
16 The Task of the Translator: An Introduction to the Translation of Baudelaire's: Tableaux Parisiens =210
17 Intertextuality =219
18 On Reading Soaps: A Semiotic Primer =234
19 "Don't Have to DJ No More": Sampling and the "Autonomous" Creator =243
Pt. V Celebrity and Fandom= 257
20 The Assembly Line of Greatness: Celebrity in Twentieth-Century America =259
21 Mountains of Contradictions: Gender, Class, and Region in the Star Image of Dolly Parton =283
22 Fandom as Pathology: The Consequences of Characterization =301
23 Scottish Fans, not English Hooligans! Scots, Scottishness, and Scottish Football =315
Index =328
Acknowledgments
1 Constructing the Popular: Cultural Production and Consumption =1
Pt. I What is Popular? =17
2 Making Artistic Popular Music: The Goal of True Folk =19
3 Batman, Deviance, and Camp =24
4 Take Me Out to the Ball Game: The Transformation of Production-Consumption Relations in Professional Team Sport =36
5 Art Appreciation at Caesars Palace =53
Pt. II Cultural Production/Commodification= 65
6 Art as Collective Action= 67
7 Commodity Lesbianism =80
8 Alternative to What?= 94
9 Imagineering the Inner City? Landscapes of Pleasure and the Commodification of Cultural Spectacle in the Postmodern City =106
Pt. III Taste, Reception, and Resistance =121
10 Encoding/Decoding =123
11 (Male) Desire and (Female) Disgust: Reading Hustler =133
12 "Hang Up My Rock and Roll Shoes": The Cultural Production of Rock and Roll =154
13 Site Reading?: Globalization, Identity, and the Consumption of Place in Popular Music =165
14 Diasporic Noise: History, Hip Hop, and the Post-colonial Politics of Sound =180
Pt. IV Authoring Texts/Readers Reading=201
15 The Concept of Formula in the Study of Popular Literature =203
16 The Task of the Translator: An Introduction to the Translation of Baudelaire's: Tableaux Parisiens =210
17 Intertextuality =219
18 On Reading Soaps: A Semiotic Primer =234
19 "Don't Have to DJ No More": Sampling and the "Autonomous" Creator =243
Pt. V Celebrity and Fandom= 257
20 The Assembly Line of Greatness: Celebrity in Twentieth-Century America =259
21 Mountains of Contradictions: Gender, Class, and Region in the Star Image of Dolly Parton =283
22 Fandom as Pathology: The Consequences of Characterization =301
23 Scottish Fans, not English Hooligans! Scots, Scottishness, and Scottish Football =315
Index =328